Three's Company Blog

Welcome to our blog, for all Three's Company news. This page displays our most recent additions, but you can browse by using our Archives to the left, or clicking on any label after a post for more articles on that topic.
You may comment on any post by clicking on "comments".

Happy Hallowe'en! Posted by Yaz Al-Shaater on Thursday, 30 October 2008

Happy Hallowe'en to all our friends and countrymen!

Having trouble thinking of a costume this year? Never fear, Three's Company's here...

Just follow these simple steps for a unique last minute costume:

Michael Grady-Skull
Michael Grady-Skull

Tomenstein's Monster
Tomenstein's Monster

Count Al-Shaater
Count Al-Shaater

  1. Choose your favourite member of Three's Company - Tom, Michael, or Yaz.
  2. Download the appropriate mask
  3. Print it out. You may wish to enlarge it using a photocopier if you've got a big head.
  4. Cut around the dotted lines
  5. Using a sharp object, make some eyeholes that line up with your eyes. For best results, don't do this whilst wearing the mask.
  6. Find a way to attach it to your head - elastic is recommended but sellotape might do the trick if you're desperate
  7. Go out and spook your friends!

Send us some photos of yourself dressed like this, and we might just put them on our blog...

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3C at the Buxton Opera House Posted by Tom Crawshaw on Tuesday, 23 September 2008

Three's Company have been invited to perform at the Buxton Fringe's 30th Anniversary performance at the Buxton Opera House. The 1000-seat theatre will play host to a variety of acts from the Fringe's 30 years, Friday November 7th. Read more and book your tickets here.

Three's Company performed their very first independent production - Platformation - at the Buxton Fringe in 2003 and have since produced another six new works at the Festival, winning four Fringe awards.

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The Auditorium is now closed. Posted by Michael Grady-Hall on Monday, 25 August 2008

So that's the end of another Edinburgh Fringe. And what a great one it was too. I'm so sorry that I couldn't have been up there for longer because I know everyone had such a brilliant time.

Congratulations to David, Will, Kate, Amr, Ben, Kayleigh, Ceili, John and Jo. And of course to Tom and Yaz for another Edinburgh success.

Thanks to everyone who came to see the show, and you guys that didn't... well...

I'm sure this is not the end for Auditorium, keep you're eyes on the website for more exciting interactive theatre experimentation!

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'Auditorium' Photo call Posted by Yaz Al-Shaater on Monday, 18 August 2008

Been to see Auditorium yet?

If you've been by, and are one of the many that have been taking photos (or videos), send them on to us at photos@threescompany.co.uk.
We'll putting up a webpage with the best shots shortly.

Yet another reason to come see our latest five star show!

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Back in the Hoodies Posted by Michael Grady-Hall on Tuesday, 12 August 2008


Well our hoodies have finally arrived and they look great! They might be a little late* but they're still earlier than last year... and look even better!

Thanks to Haz Al-Shaater for handling most of the design, and to the ever-lovely Elderfield Studios for printing them so beautifully, quickly, and at such a great price.

We've also got a number of limited edition Auditorium T Shirts for sale at the bargain price of £7.50. Drop us a line if you'd like to get hold of one - all proceed go towards funding future productions.

*I should probably point out that it Yaz's fault they're late, not the printers!

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Interactivity & 'Auditorium' Posted by Yaz Al-Shaater on Sunday, 10 August 2008

This is the first in a series of blog posts about interactivity and the theory behind Auditorium.

What do we mean when we claim to be the first fully interactive farce? Well of course it all comes down to your definition of interactivity - and whether you can quantify the level of interaction in a piece. We're trying to avoid what I call the four pitfalls of interactivity, based on the work I've seen and studied over the last few years.

For us, the challenge we set ourselves was to create a consistent narrative with a decent story arc and compelling development whilst still allowing the audience to truly affect the show. Moreover, we wanted to do this without ever stepping out of character or breaking the illusion, and without limiting the audience to the constraints of finite 'multiple choice' theatre.

There's a lot of theatre out there where you can interact with the characters - 'immersive' or 'site specific' theatre, and works by the likes of dreamthinkspeak or Punchdrunk. In these works your individual 'narrative' (eg experience) might be interactive, but the story of the piece is largely untouched by your actions. There's also increasing amounts of theatre where you can interact with the narrative - works inspired by the 'choose your own adventure' series, works where you can vote for an ending, even arguably impro shows. But in these cases you only deal with out of character performers, narrators, or technology, and not the characters themselves.

Perhaps what makes Auditorium different is that we're trying to make a piece where you can interact with both the characters and the story – so you can play the story rather than just watch the play.

If you've any thoughts on these ideas, or seen the play and wish to comment on whether we've achieved this, please tell us your thoughts in the comments below. We'll be writing soon about our 'Four Pitfalls' of interactivity, and about some of the ways that audiences have reacted to this convention.

This is the first in a series of blog posts about interactivity and the theory behind Auditorium.

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The reviews come flooding in! Posted by Tom Crawshaw on Wednesday, 6 August 2008


We've had our first few reviews for 'Auditorium' at the Edinburgh Fringe.

Below are extracts from each and below that are links to the full articles. We'll add more here as we get them. Watch this space!


"I don't think I've ever seen fourth-wall chicanery worked into a farce - not, that is, till I came across Tom Crawshaw's magnificent Auditorium, an original work for Fringe veterans Three's Company."
"There's word-play which could have been taken straight out of Stoppard, existentialist debates, and an hilarious deconstruction of the audience itself. But as the story wears on, it gets raunchier, funnier and faster, with Crawshaw's script pressing into service all the elements of classic farce."
"Farce, existentialism, and a dose of the X-Files: I'd never have thought it a winning combination. But this continually entertaining and warm-hearted play proves that anything's possible."
***** FringeGuru

"Three's Company, the creators of last year's Fringe hit, Play On Words, are offering another hilariously interactive experimental comedy this year."
"Crawshaw's script blends impressively with the improvised moments and it is often impossible to tell whether the person sitting next to you is an ignorant audience member or a slyly placed plant. In short, this clever play is not just highly amusing, but also something you're unlikely to see elsewhere."
**** Broadway Baby

"The action begins the moment you enter the performance space and the show is great all the way through."
"On one level this play is funny and silly, and on another level it is clever and raises some important questions; most importantly, it had everyone laughing out loud and it left me feeling thoroughly entertained. This play was odd, but brilliant, and well worth seeing."
****Three Weeks

"Breaking the fourth wall is a bold move for any show - stage or screen - to make, and most who use that method are cagey about it. Auditorium doesn't dip its toe in the water, it dives in holding a bag of air and a rock."
"A remarkable achievement... All in all, this is one of the fresher offerings around."
**** Hairline

"Tom Crawshaw's script is quite excellent"
"A tongue-in-cheek Cache for the stage - makes for many laughs and a wistful finale"
"A well-delivered and curious performance"

****
Fest Magazine

"
Any battle cries from the miserabilist anti-Fringers, who suggest that innovation is waning at this year's festival, should be silenced by this pacey, part-improv theatre piece."
The Scotsman

"Tom Crawshaw’s play has some clever variations on the fourth wall-busting theme. It thrives on surprise, making you suspicious of whether the person next to you is an actor or just a regular audience member."
"The ingenious premise, a series of brilliant little coups de theatre and some strong comic performances make this a very watchable show from an inventive young company."
The Stage

"Think Six Characters In Search Of An Author mixed with Being John Malkevich, written as a farce by Philip K Dick, and you'll get a faint idea of the tone and style of this new work by the company behind last year's Play On Words."
"Auditorium is a gloriously diverting, sprawling, anarchic mess of a play (and I do mean that as a compliment). It moves at a cracking pace and is often very funny indeed. Its use of the audience is very clever."
On Stage Scotland


Fringe Guru
Broadway Baby
Three Weeks
Hairline
Fest
The Scotsman
The Stage
On Stage Scotland

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2 comments :

Anonymous Eoghain said...

Hilarious show - I really enjoyed it.

11 August 2008 23:18  
Anonymous Danie said...

Hilarious show. Every show was different and the cast handled every possible situation with quick wit and humor. I really enjoyed it everytime i saw it!

05 September 2008 11:38  

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